The second in a series of indeterminate length, The Reset Button applies Maslow's Hierarchy of Needs to the popular HBO social drama, The Wire. At each level, a Wire character is chosen that best represents the needs and aspirations of that level.
Also, to reiterate, the Hierarchy of Needs is easily one of the Top Five worst triangles ever. So played, dawg. And something only used by first year university students trying to grasp at "depth". Not unlike thumbtacked prints of "The Kiss" or Portishead CDs. Or talking about The Wire.
Source: http://psychology.about.com/od/theoriesofpersonality/a/hierarchyneeds.htm
Physiological Needs: These include the most basic needs that are vital to survival, such as the need for water, air, food and sleep. Maslow believed that these needs are the most basic and instinctive needs in the hierarchy because all needs become secondary until these physiological needs are met.
Security Needs: These include needs for safety and security. Security needs are important for survival, but they are not as demanding as the physiological needs. Examples of security needs include a desire for steady employment, health insurance, safe neighborhoods and shelter from the environment.
Social Needs: These include needs for belonging, love and affection. Maslow considered these needs to be less basic than physiological and security needs. Relationships such as friendships, romantic attachments and families help fulfill this need for companionship and acceptance, as does involvement in social, community or religious groups.
Esteem Needs: After the first three needs have been satisfied, esteem needs becomes increasingly important. These include the need for things that reflect on self-esteem, personal worth, social recognition and accomplishment.
Self-actualizing Needs: This is the highest level of Maslow’s hierarchy of needs. Self-actualizing people are self-aware, concerned with personal growth, less concerned with the opinions of others and interested fulfilling their potential.
Physiological => Bodie
Once a solider, always a solder. If Bodie was any indication. Even when this "young'un" was named the Barksdale crew chief in Season Four, it was purely by default since most of his contemporaries were either dead or in prison. Time and again, Bodie was unable (or perhaps, unwilling) to rise above a purely Physiological existence, in spite of obvious "street smarts" and developing relationships with law men Ellis Carver, Thomas "Herc" Hauk and eventually, Jimmy McNulty. He was merely a doer and whenever he found himself in a more amped-up role, poor judgement kicked him in the fanny, often fuelled by petty relationships squabbles and a short fuse. His demise, a swift and brutal shot to the head from Michael Lee, was a fitting end to a life entirely cuffed to the street.
Also considered: Dukie, Bubbles, Ziggy Sobotka
Security => Chris Partlow
Chris Partlow was a cold, heartless murderer but so effin' cerebral in the way he filled that role, it was hard not to like the guy. One could argue that Partlow's handiwork was the single biggest factor in Marlo Stanfield's rise to top of the West Baltimore drug game as Partlow excelled both at protecting existing turf and leading conquests onto new corners. In short, he WAS safety. He WAS security. And his mentoring of young Michael was a rare glimpse into Partlow extending his talents beyond shooting haters in the face.
Also considered: Dennis "Cutty" Wise, Frank Sobotka, Bunk Moreland
Love/Belonging => D'Angelo Barksdale
Arguably the most conflicted character in The Wire's five year run and a case study in the challenges that all middle managers face. D'Angelo's role was an unfortunate mixture of cat herding and keeping his Uncle Avon and Mommy Brianna satisfied. D'Angelo showed a lot of humanity, in part through interactions with his young son and in part because actor Larry Gilliard has a naturally sad looking face (it's true). No doubt, D'Angelo felt some degree of belonging, love and affection from within the Barksdale crew but considering his life ended slumped over in "the clink" with a belt around his neck, it'd be tough to argue that D'Angelo ever truly found the full attachment he was looking for.
Also considered: Kima Greggs, Omar Little, Michael Lee
Esteem => Ellis Carver
A late bloomer, Ellis Carver matured from a rough n' tumble goofball in early seasons to a poised, polished Sergeant in Charge by Season Five. The distancing between Carver and his ol' running buddy Herc was an underrated subplot that enjoyed an engaging slowburn as the series progressed. And by the end, Carver began to achieve various Esteem needs by displaying a surprisingly degree of integrity that was sorely lacking in most other Wire characters. This was a quality, complex character--I'd argue that the impassioned manifesto he unleashed atop the cop car to kick-off Season Three was the death of old Carver and the birth of new Carver, aided by several visits to Hamsterdam that led to many WTF stares of bemusement.
Also considered: Avon Barksdale, Rhonda Pearlman, Clay Davis
Self-actualization => Marlo Stanfield
There were "good guy" options and "bad guy" options plus several shades of grey. But in the end, no Wire character best exemplified Self-actualization the way Marlo Stanfield did. From his first appearance in Season Three, Stanfield's one goal was to seize West Baltimore from the Barksdale crew and he did so fairly easily in retrospect. Stanfield achieved his goal (and to sound like a complete blowhard, "his destiny") by being 100% self-aware of what he was: a calculated mercenary who never allowed emotions or feelings or empathy to impact his ambition. Stanfield soldiers kicked a ton of fanny during their takeover and if his blaise facial expressions were any indications, there was zero remorse or hesitation from Stanfield. "... some place to be" indeed.
Also considered: Cedric Daniels, Tommy Carcetti, Stringer Bell
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